A

2D
3D
Abtastung
After Effects
Anamorph
Animatic
Animation
Animation-Director
Animator
Animo
Auflösung
Ausbelichtung
Avid

B

BG-Plates
Bible
Blur

C

CG/CGI
Charakter/Character
Charaktermodell
Clean Plate
Clean Up
Compositing

D

Depth of Field
Digital Betacam
Dope-Sheet
Dpi
Dummy

F

Farbkorrektur
Field (2D)
Film recording
Fixe Kamera (LockOff)
Footage
Frame
Framerate
Framing

G

Grading

H

Handles
High Resolution

I

Image aspect ratio
Inbetween
Ink & Paint
Iron Giant

K

Key, Keyframe

L

Layer
Letterbox
Lighting
Linetest
LipSync
LiveAction
Locked off Camera

M

Maske, matte
Master/Sendemaster
Matte-Painting
Maya
MAZ
Motion Blur
Motion Capture
Motion Control
Modell
Modelling, Modelieren

N

non-linear

O

Offline
Online

P

Paint
PAL
Passes
Pegbar
Phoneme
Photoshop
Picture Lock
Pipeline
Pixel
Pixel aspect ratio
Plates
Poses
Postproduction
PPM
Pre-Compositing
Produktionsplan
Props

R

Render/Rendering
Retusche
Rigging, => Setup
Rotoscoping
Rough-Animation
Rushes

S

Scanning (2D)
Scanning Pal/2K
Schedule
Set Extention
Setsupervision
Setup
Shading
Shootingboard
Shot
Softimage XSI
Speed ramp
Stand-in
Still
Storyboard
Szene

T

Tape to Tape
TD Supervisor
Technical Director
Textur
Timeslice
Timestretching
T-Pose
Tracking
Trackingpoints
Turnaround

U

Überdrehen

V

Visual Effects
Visem, Viseme

W

Walkcycle
Weighting

X

X-Sheet

Ausbelichtung

auch Film recording, beschreibt den Vorgang des einzelbildweisen Belichtens von Filmmaterial für das Kino. Ausgangsmaterial sind bei 2D- oder 3D-Szenen im Compositing zusammengefügte, digitale Bildsequenzen in entsprechender Auflösung, meist 2K oder 4K.